I just read an interesting story about the new generation of wiretapping technology that FBI is using in the USA. Coincidentally, three of the last Hollywood blockbuster movies I’ve seen (Bourne Ultimatum, Die Hard 4.0 and Ocean’s 13) have all dealt with the general themes of “individual versus the surveillance system” and “we can see your every move at the hidden command center”. I also saw Wim Wenders’ “The Land of Plenty” which was about a Vietnam war veteran who had become more or less obsessed with surveillance.

I remember seeing scenes in Hollywood movies portraying the Echelon as early as 1994 (“Clear and Present Danger”), but recently it has become the most trendy plot element that you can have. The usual way to weave it into an action film plot is to have the protagonist somehow fool the system and simply outsmart the government agents at the hidden command center by switching the sim card in a phone or hiding behind a balloon seller at a busy railway station.

Bourne Ultimatum went completely over the top with the surveillance theme though. All I can remember about the plot was that the same scene was basically acted out in slightly different variations about 5 or 6 times. During the end credits they played the theme song by Moby.

Well, I guess my point is that not only the script writers, but also the audience in this seemingly less secure world have become fascinated with wiretapping and remote sensing. Whether it’s good entertainment or not, I can’t say. But I do know that during insecure times, horror films repeatedly become a more popular genre. A society based on the remote surveillance and monitoring of the potential threats in the neighbourhood is indeed a bit horrific.

Posted by api in Audiovisual instinct, Wonders of technology

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